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By all of my own guidelines, I shouldn't be reviewing the new Swans album. Whenever possible, I'm trying to get to records before they're released, and I've never even considered reviewing a live album before now. While there are some truly fantastic live albums out there, my focus is on new material, something you don't typically see on live recordings.


And yet, Swans isn't a typical band. Newly Sentient Being isn't a typical live album. Not only is it a staggering recording in its own right, it may also wind up being remembered as one of the defining albums in the band's discography. 

Newly Sentient Being is the final release of the stage of Swans' existence known as the "Big Sound Era." This part of the band's career is commonly understood to have kicked off with The Seer in 2012 and continued through 2025 with the album Birthing. The albums in the Big Sound Era, especially the trilogy of The Seer, To Be Kind, and The Glowing Man, are all massive, crushing, post-rock extravaganzas, with slow-building, layered compositions that build to almost overwhelming crescendos. While albums Leaving Meaning and The Beggar were relatively concise, the three trilogy albums all feature at least one track clocking in around 30 minutes in length. Live, these tracks and others from the era expanded out even further. With Swans leader Michael Gira acting as a conductor, the band's live shows felt more like avant-garde classical performances rather than traditional rock concerts. 

Newly Sentient Being is not the first live album to capture the Big Sound Era - Live Rope was released in 2024, and Deliquescence was released as a limited edition CD before being made available digitally earlier this year. All three of these recordings capture the intense building swell of the live experience during the Big Sound Era, but Newly Sentient Being is the only one of three that's essential listening. It was recorded during the last live show of this version of the band's existence, capturing the band not only at the peak of its prowess, but capturing a band that knew it was ending. The music on Newly Sentient Being, the bulk of it debuting on this recording, is heavy in sound and mood, but also in symbolism. This is the sound of a creative project dying and being reborn. Gira had this to say about the end of the Big Sound Era in the promotional materials for the new record:


"I believe we reached some pretty tremendous highs along the way, where the music became a raging, sentient autonomous beast that played us (and the audience/listener), rather than the reverse. That was the goal all along, to lose ourselves in the swirl. It took a lot out of us, physically and psychically to reach the highest plateaus, but once there, there was nothing on earth like it, and I’m glad we did it. Now this phase is finished. There’s nowhere else to take it, but we seem to have ended on a particularly high note with our final tour of this (now passing) Swans era, and I believe these current recordings convey the sensations and experience of the unique world we forged."


Like a monster that has been defeated rearing up from the ground to let out one last, ear-splitting roar, Newly Sentient Being is primal and ferocious. At the same time, it is beautiful and delicate. The music grows and swells, building like a Tsunami, only to break upon the rocks in an epic release, leaving behind moments of calm before the tension begins to build again. All of the centerpiece tracks of the Big Sound Era studio releases have featured this same post-rock dynamic, but the live recording of Newly Sentient Being adds another layer of energy to the material - it crackles with manic energy that seems like it could spill over into chaos at never moment, but never does. It is a band being captured live at the apex of their abilities. 


While I have loved everything Swans have done in the Big Sound Era, I will confess that I was getting slightly diminished returns from the last couple studio albums. To Be Kind fascinated me in a way that few albums have in my entire life, and The Glowing Man hit me nearly as hard. Leaving Meaning and The Beggar, however, felt more like solid additions to the catalog rather than masterpieces. Neither is bad - both are quite good! - but they had the bad fortune of following three consecutive masterpieces. It made sense to me Gira was preparing a new direction for Swans. The Big Sound Era had run its course. And then comes along Newly Sentient Being, a live album thrumming with the nuclear energy of this unique and exciting era of one of experimental rock's most important bands. 


Newly Sentient Being is the most gripping and vital music Swans have released in years. Swans are dead. Long live Swans. 


Swans' Newly Sentient Being is available now from Young God Records. 

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